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You wander into an abandoned nursery, the time is 3 am, you just need a safe place to sleep for the night.
In the next room you can hear the demented chimes of a music box, slowly playing a disturbing lullaby, suddenly the chimes turn into a thousand ominous detuned guitars, and any sense of safety is ripped away from you as demons of all sizes breakdown the walls and come straight for you. That is the exact imagery that went through my head the first time I heard the cinematic opening track of Bridge to Extinction, the short but sweet split between Beyond Deviation, and Martyrs.
Every riff hits like a killdozer, on this impressive sophomore effort for both bands.
Beyond Deviation, is more on the extreme metal side of things, and Martyrs is a little more hardcore punk, but both bring the riffs and pure seething anger in spades.
The stand out tracks are the aforementioned, first track(Senseless Society) by Beyond Deviation, and the ruckus hardcore shout along of ACAB by Martyrs, gave me instant flash backs to packed venues and vicious circle pits, I can almost feel the sweat and smell the stale beer!
It’s catchy, and will have you wishing you could be back at shows screaming every word back at the stage.
All 4 songs deliver where it most counts in the world of Deathcore, clean production, it’s heavy as fuck and riffs galore! If you enjoy heavy music, check this out, you won’t be sorry.
You can find the EP here or on any other streaming service.
The Great Diversion combines elements of post-hardcore and pop-punk to create a hard-hitting rock genre reminiscent of early 2000’s emo music. The power trio distinguishes itself by its melodic pop sensitivity and hard-hitting breakdowns.
Hailing from Timmins and Hawkesbury, the band has found its home in Ottawa. After kickstarting their career with the release of their debut EP “Rocks and Rapids” in 2015, The Great Diversion has been hard at work preparing its upcoming full-length album This Is It, This Is the End. The 9 song album is self-financed, self-produced and will be self-released on October 2nd, 2020.
We took a look at the first single from This Is It, This Is The End, which is titled Colours.
The song is slow, but powerful. The guitar work is subtle but adds a nice atmosphere to the song. The drums feel like the driving force of the song instrumentally. The bass adds a nice layer of texture to the sound.
Vocally the song is very strong. The vocals are melancholy but with a subtext of hope. The lyrics are catchy, especially the chorus. The hook of the song “It’s only a matter of time, before we cease to dream in colour” fits so well with the instrumentation.
The bridge into the outro/last chorus is a nice change of pace and keeps you interested, and wondering where the song will go.
Overall the song is great. I can see this album being a big success. Keep an eye out Ottawa, big things are coming from these guys.
Local post-hardcore outfit, T-Rex Marathon, has dropped a new track titled Faux News.
The single is available to stream on Spotify and all other stores and streaming services.
Faux News is a hard hitting song about the current state of news and media in the world and specifically the United States.
The band stated:
“Let’s get political. The title is a pun on “Fox News” and fake news (as if it wasn’t obvious). It’s us holding a mirror to our neighbours to the south and diagnosing some of the more obvious issues with them and by extension, the rest of the western world.”
Faux News is the first single from their upcoming full length LP, Days Without Incident, which will be released in October of this year.
We’re back with another exciting review. This time we have an exclusive early look at Burst Into Flames by Sinful Ways. The song doesn’t have an official release date yet, so we’re very excited to have an opportunity to give it a listen.
The song starts very quickly with a nice lead in and then jumps into a sick riff, drums are nice and punchy. The vocals blend nicely with the instrumentals. It gives me big Bullet For My Valentine and Avenged Sevenfold vibes.
Its a song about being stepped on by a government in a third world country and now its time to fight back and revolt.
Brad Lake, bassist of Sinful Ways on their new single, Burst Into Flames.
The guitar work is very well done, the riffs compliment the drums perfectly, the transitions are very well done. The bridge/breakdown fits perfectly, it sounds like they used a light octaver on the guitars to give them an extra punch there and it worked amazingly. The guitar solo afterwards was well executed.
After the bridge there’s a well executed tempo change into the outro. The guitar riff in the outro is very jumpy and is a great way to end the song.
We also had a chance to chat with Brad, the bassist of Sinful Ways about the single.
Kyle: Do you have a release date yet?
Brad: We honestly don’t have an official release date yet, we’re finishing up the music video first and then we’re good. We’re currently looking at early September.
Kyle: What is the song about?
Brad: Its a song about being stepped on by a government in a third world country and now its time to fight back and revolt.
The band is on all major streaming services and you can also find them on Facebook and Instagram!
Good morning! Today we’re going to be taking a look at Pink Cloud Summer by local Prog superstars Skybound. The 5 track album was released yesterday (July 17th 2020) and runs for approximately 20 minutes. It is available on all streaming services.
Song 1: Tokyo Sunset
This short track starts with a nice faded in piano riff and a light synth keeping the beat in the background. Then a nice slow fade in of some strings and bass. The song builds up and reaches a climax with a massive electronica feel before fading out.
Song 2: Liquid Courage
Fans of Skybound will be familiar with this one already. The nice easy start into a big beautiful riff with amazing drums to compliment has been a staple of the band for about 8 months now. The jazzy piano and syncopated bass really make this song an instant classic.
Song 3: Galaxies
The tapping and booming rhythms at the start jump right into a super energetic punky riff and drum beat, which fades into a fun little riff with an electric piano accompaniment and beautiful atmospheric background noise that makes you feel like you’re floating in space. This one is super fun to listen to. It then jumps into a very pop punk feeling riff with some funky synths as leads underneath. The drums with have you bobbing your head, then it gets 8bit on ya. This section brought me back to my SEGA Genesis. Probably the funnest song on the album.
Song 4: Luna
Very atmospheric at the start. Beautiful piano and drum work. The guitar acting as atmosphere underneath works perfectly and really complements the piano and drums. The guitar and bass work is impeccable. Everything meshes together perfectly and the mix is amazing. The guitar solo into the next section of the song is well executed and the transitions are very well done. This song’s guitar work always blows me away, so goddamn good. I’m also a sucker for a well executed sudden stop, and this song has one.
Song 5: Pink Cloud Summer
The title track, this track is huge. It feels big, the atmospheric sounds pulled out of the guitars give it a massive feel, and the bass and drums add a nice layer of texture to it. The synth riff at the transition is very well done and adds another nice layer to the song. The song feels busy but not overwhelming. There’s a lot going on but it works, definitely feels like a closing track. It will have you bobbing along. The album ends with the same beating synth that it started with which is a nice touch.
I love it. There isn’t much else I can say other than that. This album is one of the best albums to come out of Ottawa this year.
This week we have a guest writer doing a review for us. Kyle Stumpo (our main writer/editor) released an album for his side project, Pale Black Eyes, and our good friend Kyle Sauve (of Social Suicide) sent him his analysis of the album. We got permission from Mr.Sauve to post his analysis on the blog, so a big thank you to Kyle from The Ottawa Sound team!
Song 1: Quarantine Part 1
I really like how atmospheric it is, it kind of reminds me of Neil Young’s instrumental stuff.
Song 2: Pandemic
This one has really grown on me, it has more of an electronic feel, but really reminds me of the early 90’s with all the distortion in the vocals. The lyrics seem to be about the rich screwing over the poor. Working class vs upper class.
Song 3: Quarantine Part 2
Just a nice little interlude.
Song 4: Time
Maybe the most atmospheric song on the album, gives me a bit of hope in the darkness kind of feel.
Song 5: Crumbling
The lyrics have a theme of nostalgia, remembring back to before the complex subjects such as racism, sexism, and school shootings, as a kid you don’t often think about these things
With clean choruses and heavy verses, this song is maybe the most ambitious, I would have maybe liked some real drums to add to the electric drums for the heavy parts.
Song 6: Quarantine Part 3
A continuation of the speech by Rob Ford? The atmosphere keeps things tense; I love the rain and siren samples.
Song 7: Isolate
This is my favorite song on the album, the best mix of electronic, and punk, with even a bit of hardcore elements, I love the solo and lyrics, a really good piece of dance punk everything is mixed well and sounds great.
Song 8: Seize The Hour
Keeps things relevant and adds more emphasis on the anti racism theme seen throughout the album.
Song 9: Hindsight
This is my 3rd favorite, just a nice well executed sad ballad, gives some more variety to the album feels crushing lonely.
I would have likes maybe a little more of the Rob Ford speech to end out the album, but other than that I really enjoyed everything.
Album is available on all major streaming services and stores. Also available on Bandcamp
Mia Kelly is a young singer-songwriter based in the national capital region. With her youthful spirit and fresh tunes, 17-year-old Mia Kelly is making her mark in the Canadian music scene. Listed as one of Ottawa’s “Top 10 artists to watch in 2020” by Lynn Saxberg, Ottawa Citizen, Mia is releasing her new single, “Well, My Dear”, on Friday, July 3rd.
“Well, My Dear” is a nostalgic ballad infused with toe-tapping hope. The song was recorded earlier this year and was produced by Arturo Portocarrero. The track is backed by incredible local musicians: Phillipe Charbonneau (Upright Bass); Jérémie Trépanier (electric guitar and backup vocals); and Jacob Milnes (drums). “Well, My Dear” was written while travelling in Taiwan and tells the fictional story of a neglected relationship that has gone awry.
Her powerful vocals transcend her young years and she has impressive natural confidence that is rarely seen. Mia is without a doubt one of Ottawa’s most promising emerging artists.
Kelly Symes, Bluesfest & Festival of Small Halls
Despite the confinement, Mia is finding many ways to connect with audiences and push her new content. She has done numerous online shows, will be releasing music videos and is working on an album for 2021. Mia will be performing this song during multiple upcoming virtual performances (Musical Tuesdays with the Municipality of Chelsea, StudiOdyssée, etc).
Toronto-based power-pop quartet and Exclaim! Class of 2020 alums BLANKS (Dylan Taylor, Lewis Caunter, Toby Keymer, and Stanley Raul) are set to release their new single “Looking For”, alongside its accompanying music video on July 3rd. This is in support of their upcoming EP, Beyond These Walls, out August 9th.
When BLANKS sat down in December 2019 to record their four-song debut, they never could have predicted that soon, a new isolated, anxious normal would emerge. Forced apart, BLANKS knew only this was clear: no more rehearsals, no more concerts, and no release show. It is cosmic irony that Caunter’s melancholic anthem “Looking For” has become so relevant to their circumstance. Filmed in isolation, the video for “Looking For” mirrors these anxieties. Caunter appears in a narrow room, reflecting the ubiquitous mood of being trapped between four walls. With a sound hearkening back to the golden era of indie rock, “Looking For” merges the qualities of Wolf Parade with the desperate candor of post-punk. A plaintive ballad of love persevering in a time of chaos, “Looking For” is a love song for the end of the world.
Sonically reminiscent of New Order, The Stranglers, and Parquet Courts, BLANKS has captivated the Toronto scene since 2018. Their charismatic yet polished attitude is what earned them a spot in Exclaim!’s Class of 2020. After a streak of shows supporting acts such as Young Guv, Dune Rats, Bad Waitress, and The King Kahn & BBQ Show, the band was blindsided when their March 26th show with Ireland’s The Murder Capital was postponed. Despite the unprecedented challenges of these times, BLANKS continues to adapt, creating videos, writing songs, and preparing for the release of Beyond These Walls.
All revenue earned from “Looking For” will be donated to Toronto Prisoners’ Rights Project. Black lives matter.
This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters.